Untitled by Alec Monopoly is an explosion of color, energy and rebellion. The two iconic Monopoly men stare at us confidently – their faces drawn with humor, power and a touch of irony. The artist captures the essence of our times with each spray-paint stroke: the endless drive for money, status and success. Yet beneath the brightly colored layers, you also sense criticism and reflection. Alec Monopoly confronts and seduces at the same time.
This work is brimming with life. The vibrant red background splashes off the canvas and immediately attracts attention. The dripping paint, typical of his style, symbolizes the transience of wealth and power. By using contrasting hues – white, black, yellow and blue – he creates a dynamic field of tension that continues to captivate the eye. Every brush and spray movement breathes urgency, rebellion and creative freedom.
What makes this work so powerful is the balance between chaos and control. The playful graffiti expression clashes with the neat, almost caricatured image of the capitalist elite. Alec plays with this contradiction – he glorifies glamour, but at the same time pierces through the façade. This creates a work that continues to intrigue both visually and substantively.
Untitled is more than a painting; it is a mirror of modern society. It raises questions about power, money and authenticity. And that is exactly what Alec Monopoly excels at – finding meaning in the superficiality of pop culture.
Alec Monopoly, an anonymous graffiti artist from the US, grew into a worldwide phenomenon in contemporary art. His alias refers to the famous Monopoly character, which symbolizes wealth and materialism.
Alec Monopoly combines street art with pop culture and gives it a sharp social twist. His signature style – colorful, rebellious and direct – speaks to a generation longing for freedom, luxury and criticism of that same world.
Een certificaat van echtheid (COA) is een document van een gezaghebbende bron dat de echtheid van het kunstwerk verifieert. Veel COA’s zijn ondertekend door de kunstenaar, maar andere zijn ondertekend door de vertegenwoordigende galerie of de drukker die samen met de kunstenaar aan het werk heeft gewerkt. Voor werken op de secundaire markt zijn gemachtigde nalatenschappen of stichtingen vaak de uitgevende partij.
COA’s bevatten meestal de naam van de kunstenaar, de details (titel, datum, medium, afmetingen) van het werk in kwestie en waar mogelijk een afbeelding van het werk.