The artwork Mercedes 300 SL Streamline Crème by Antoine Dufilho is an ode to speed and elegance. The work depicts the iconic Mercedes in a futuristic interpretation. The sculpture consists of layered, streamlined forms that suggest rhythm and movement. Each line emphasizes the fluid dynamics of the car. The interplay of open space and volume gives the work a lightness, as if it were floating.
The sculpture attracts immediate attention. Clean lines alternate with subtle curves, creating a harmonious image. The use of cream and metallic tones enhances the feeling of luxury and sophistication. Moreover, the car is shown as more than a vehicle: it is a symbol of progress, design and technology.
With this work, Dufilho manages to strike a balance between abstraction and recognition. Up close, you can see the rhythmic structures. From further away, you clearly recognize the iconic Mercedes. This gives the work multiple layers and invites longer viewing. It is both modern and timeless.
Antoine Dufilho is a French artist and architect who creates sculptures at the intersection of art and technology. His works explore the relationship between volume, rhythm and movement. The repetition of geometric forms creates structures that are both open and defined. This gives his sculptures a unique dynamic.
Dufilho began his career in architecture, but soon found his way into the art world. His passion for automobiles and engineering led to a series of sculptures centering on iconic vehicles. He combines precision with creativity, making each artwork both innovative and recognizable. His work is exhibited worldwide and praised for its originality.His style is characterized by precision and experimentation. He always seeks the boundary between art and technology. His sculptures translate speed and movement into tangible forms. Innovation and aesthetics run seamlessly together.
Een certificaat van echtheid (COA) is een document van een gezaghebbende bron dat de echtheid van het kunstwerk verifieert. Veel COA’s zijn ondertekend door de kunstenaar, maar andere zijn ondertekend door de vertegenwoordigende galerie of de drukker die samen met de kunstenaar aan het werk heeft gewerkt. Voor werken op de secundaire markt zijn gemachtigde nalatenschappen of stichtingen vaak de uitgevende partij.
COA’s bevatten meestal de naam van de kunstenaar, de details (titel, datum, medium, afmetingen) van het werk in kwestie en waar mogelijk een afbeelding van het werk.