Hijack -They Love Me, They Love Me Large
They Love Me, They Love Me Large is a powerful artwork by Hijack that combines street art, symbolism and emotion. Striking is the cloaked figure in a hoodie, seated at the edge of the canvas, busy pulling petals off a large yellow flower. This action refers directly to the classic children’s game “They love me, they don’t love me,” through which love, doubt and hope are made tangible.
The background shows colorful flowers in bright shades of orange, pink and white, set against a dark and contrasting foliage pattern. This creates a visual tension between the raw urban look of the hoodie figure and the cheerful, pop-art-like flowers. The result is a work that is both aesthetically pleasing and deeply symbolic. Moreover, this contrast highlights the power of love and vulnerability within a harsh, urban context.
They Love Me, They Love Me Large is more than a painting; it is a reflection on human emotions and the search for affirmation and connection. The work invites introspection and raises questions about relationships, desire and uncertainty.
Hijack is a contemporary artist known internationally for his unique blend of street art and conceptual art. His works often feature anonymous figures in hoodies, symbolizing modern urban identity. Yet he manages to break this anonymity by adding emotional and poetic elements, such as flowers, games and subtle references to love and vulnerability.
Unlike many traditional street-art artists, Hijack deliberately opts for layering and symbolism. He confronts the viewer with social issues, but always does so in an accessible way. Moreover, he regularly incorporates playful or intimate details that make his work both recognizable and moving.
In short, Hijack creates art that is powerful, topical and emotionally charged. His works, such as They Love Me, They Love Me Large, connect raw street culture with universal feelings. As a result, he manages to touch a wide audience, from urban art lovers to international collectors.
Een certificaat van echtheid (COA) is een document van een gezaghebbende bron dat de echtheid van het kunstwerk verifieert. Veel COA’s zijn ondertekend door de kunstenaar, maar andere zijn ondertekend door de vertegenwoordigende galerie of de drukker die samen met de kunstenaar aan het werk heeft gewerkt. Voor werken op de secundaire markt zijn gemachtigde nalatenschappen of stichtingen vaak de uitgevende partij.
COA’s bevatten meestal de naam van de kunstenaar, de details (titel, datum, medium, afmetingen) van het werk in kwestie en waar mogelijk een afbeelding van het werk.